'40 forks and a bowl' is one of the 'polymer glazings'. Forty disposed polystyrene forks respond in the heat of the kiln to a porcelain bowl. Melting and then sipping though pre-made openings, the plastic lifts the porcelain of the ground.
'Polymer Glazings' is a series of works concentrating on interactions between clay (earth) and polymers (plastic). Central to these work is an exploration of plastics as a new type of ceramic source material, scattered as polymers are today across the earth's surface. In the heat of the ceramic kiln, polymer disposables melt together with clay or other classic materials, coming to new ceramic form.
'40 forks and a bowl' is one of the 'polymer glazings'. Forty disposed polystyrene forks respond in the heat of the kiln to a porcelain bowl. Melting and then sipping though pre-made openings, the plastic lifts the porcelain of the ground.
'Polymer Glazings' is a series of works concentrating on interactions between clay (earth) and polymers (plastic). Central to these work is an exploration of plastics as a new type of ceramic source material, scattered as polymers are today across the earth's surface. In the heat of the ceramic kiln, polymer disposables melt together with clay or other classic materials, coming to new ceramic form.
'40 forks and a bowl' is one of the 'polymer glazings'. Forty disposed polystyrene forks respond in the heat of the kiln to a porcelain bowl. Melting and then sipping though pre-made openings, the plastic lifts the porcelain of the ground.
'Polymer Glazings' is a series of works concentrating on interactions between clay (earth) and polymers (plastic). Central to these work is an exploration of plastics as a new type of ceramic source material, scattered as polymers are today across the earth's surface. In the heat of the ceramic kiln, polymer disposables melt together with clay or other classic materials, coming to new ceramic form.